Snow at Argenteuil (French: Rue sous la neige, Argenteuil) is an oil-on-canvas landscape painting from the Impressionist artist Claude Monet. It is the largest of no fewer than eighteen works Monet painted of his home commune of Argenteuil while it was under a blanket of snow during the winter of 1874–1875. This painting—number 352 in Wildenstein’s catalogue of the works of Monet—is the largest of the eighteen. The attention to detail evident in the smaller paintings is less evident in this larger picture. Instead, Monet has rendered large areas of the canvas in closely like tones and colours of blue and grey. The application of smaller strokes of greens, yellows, reds and darker blues breaks up these large expanses, and the almost choreographed dispersal of these various colours helps bind the picture together. Paint at the depicted road surface is thicker than elsewhere in the painting, and impasto is suggestive of the feel of disturbed snow.
Prinsjesdag ( Prince's Day): - Medium shot of the royal carriage with cavalry men, closed carriage and the Golden Carriage moving past 54" (Golden Carriage 13" on screen), in the background: bluiding with two wings in a semi-circle and a domed entrance in the middle; - high overall shot 1'09" of the Binnenhof and in the background the Ridderzaal (Knight's Hall): arrival of the royal procession; - medium shot of a part of the Golden Carriage, lackey, soldier, banner (blocks the view of the queen getting off); - high medium shot of the Golden Carriage changing into a pan iof the departure in front of the entrance of the Ridderzaal 56"; -high medium shot of the Golden Carriage, at the departure of the Binnenhof 9".
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The title of the painting, which is known in English as Mona Lisa, comes from a description by Renaissance art historian Giorgio Vasari, who wrote "Leonardo undertook to paint, for Francesco del Giocondo, the portrait of Mona Lisa, his wife."
View of the three-story building where the Daily Alta California Newspaper's publication office was located. A man stands at the entrance to the building.
David is a masterpiece of Renaissance sculpture created in marble between 1501 and 1504 by the Italian artist Michelangelo. David is a 5.17-metre (17.0 ft)marble statue of the Biblical hero David, a favoured subject in the art of Florence.